Amelia Tyler grew up in Warwickshire and had her first taste of fame at the age of 5 when
she did her first voiceover for. At 16, when she became the youngest person to
join the National Youth Theatre of Great Britain, she was already a TV veteran after
appearing on both BBC and ITV dramas including ?Boon?. She also became Britain?s youngest ever continuity announcer on the UK?s ITV children?s slot; CITV. At present Amelia can be heard as the "voice" of the UK?s SyFy channel and has a ?very busy 12 months? ahead of her. She can be seen in "the refreshingly different" sci fi film "Triple Hit" where she played 6 roles. Made by "Entanglement Productions", the film won third place in the Best Film Category at the recent Institute of Videography awards, held at Coventry's Ricoh Arena.
She has been described as "having a sense of dedication bordering on obsessive" but "more
fun than a frog on a trampoline". She has just been cast in British thriller "Sure Fire
Hit" and its sequel, "Dead Echoes".

Amelia attributes her move into the "acting life" to her mother."She's an actress too so
some of my most enduring memories of childhood are of being on theatre and TV sets with
her, just soaking it all in. It was an awesome way to grow up and gave me a really early
understanding of the whole acting process that's proved invaluable as my career has
evolved. I also got a bunch of amazing opportunities: I did my first voiceover at the age
of 5 and played my first TV role when I was 8, in 'Boon' alongside Michael Elphick and
Neil Morrisey.
Acting totally lights my fire - each role is utterly different so it's like letting a
different side of yourself out to play every day! 'The actor's life' can be pretty damned
unpredictable, though: one day I might be in a plush London studio recording a TV ad, the
next running from zombies in a forest or sobbing my heart out in a hospital. Luckily I
live for that 'whatever next?!' feeling," She doesn't believe that a "normal" life is for
her and describes herself as "one of those bizarre people who actually enjoys long,
arduous night shoots, speed-learning scripts, training for physical roles or having her
face covered in prosthetics. I'm a big kid at heart so to me all that's just a different
kind of fun.
Amelia describes her acceptance into the National Youth Theatre of Great Britain at the
age of 16 as a "huge honour". The NYT is THE name for young talent here in the UK and
many of our most famous names (Sir Ben Kingsley, Dame Helen Mirren and Timothy Dalton,
for example) are alumini. When I applied I'd only just turned 16 (the minimum age for
full training) so as the youngest person to be accepted onto the course I couldn't
believe I'd been judged to be an equal to all these other people who just seemed
impossibly grown-up and talented. I think that's part of what makes the NYT so
successful, though - if you have raw talent they'll see it and nurture it.
The course was my first real time away from home so I made a point of learning all I
could. The training was insane - it really opened my eyes to what I could do, plus
getting praise and trust from established directors boosted my confidence no end. I
suppose that was the biggest part of the whole experience for me: making me believe I
could accomplish anything if I set my mind to it.My early TV work was very different.
There's a lot of waiting around on set, then suddenly there'll be this massive burst of
activity so you have to really focus on getting the job done quickly and right.
Luckily I'd always had quite an old head on my shoulders and had no trouble just chatting
to the adults on set or taking direction. I've got very fond memories of filming 'Boon':
eating biscuits with Michael Elphick in his trailer, watching all the behind-the-scenes
stuff being done... Most importantly, though, it taught me the difference between acting
for stage and acting for screen. On screen everything's far more subtle and I saw it as a
wonderful challenge. "Hmm... ok, how can I take what I've learned for theatre and adapt
it to work here?"

Amelia's acting credits include "ass kicking heroines to evil temptresses" in both modern
and period productions. "I honestly don't think I could choose which type of role I
enjoy most! I was trained from a very early age in classic stuff like Shakespeare and
Chekhov so I grew up with a real understanding and love of period roles (and corsets!),
but on the flipside of the coin I'm a total tomboy so running around fighting men twice
my size and being a general badass is a huge amount of fun!"

But Amelia was unsure of her ability to "do" comedy. "I just didn?t think I was a funny
person - but as it turns out I was totally wrong! In 2008 I starred in a lovely short
film about vampires called 'Blood Actually' which was very subtly comedic, then last year
I starred in a webseries called 'SatNav Lifestyle' which was TOTALLY silly - real
plastacine face stuff. It was so refreshing to cast off all those worries about looking
good or being ladylike and just behave like a total idiot for a few days! A lot of people
think comedy is easy but it's just not true - it takes just as much skill as a dramatic
role, you're just using a different rulebook.

I have to admit that I enjoy playing baddies but I suppose what I really relish is any
well-written role I can get my teeth into. Whether I'm playing an all-action ass-kicker
or a serious dramatic role I like to get into the character's head and make her
believable. It's a great chance to explore different aspects of your personality (plus,
my mum's thrilled that I'm finally putting my Psychology degree to good use!)."

"My dad's a huge fan of sci-fi and fantasy so I was brought up on a healthy diet of Star
Wars, Bladerunner et al - not a bad way to grow up, really! As a budding people-watcher
I think it struck me at quite an early age how a well-made movie can really influence the
way people think, and that sci-fi and horror are the main culprits for that. Horror is a
very primal feeling, taking us back to our fears and animal instincts, whereas sci-fi
opens up our minds and gives us new perspectives on personal, national and even global
issues. That ability can be incredibly powerful. They're an absolute hoot to make, too!
I've had maggots on my face, operated a futuristic CGI floating computer screen... I
suppose that's what attracts me the most - they really set your imagination free and as
an actor you get to experience things you'd never do in a typical drama.
Also, sci-fi really was the flag bearer for feminism and sexual equality in general. It's
great to see so many strong female characters appearing in movies and on TV these days,
but they've been in sci-fi for decades. Ellen Ripley, Lieutenant Uhura, even Maria in
'Metropolis' (way back in 1927!) - these were independent women with authority and
ability who gave new generations of young ladies the courage to stand up for what they
believe in and forge their own paths. That's something I'm 100% behind. Who wants to see some wimpy, wishy-washy girl let a man sort out her problems for her anyway? I'd much rather save myself, ta!"

Amelia's first lead role was in the award winning feature "Wasters".
which she described as "an absolute ball to film". But it was also a real learning
experience. "I'd played lead roles on stage many times but on screen it's a totally
different ballgame!" "Wasters" is a comedy drama about four friends who work in a bar
following their lives over a single night as secrets are revealed and friendships
betrayed. "Oooh, the mystery! I played Sarah Smith, the baddie of the piece, and playing
such a nasty piece of work was a real joy. It would have been easy to make Sarah all legs
and cleavage but Luke (Rufo, the director) was keen to make her someone you could hate
and sympathise with at the same time so we had a lot of interesting chats about her
psychology and why she did what she did."
I'm starting to wonder if my performance was a little TOO convincing, though - a few
people I talked to after the premiere were really off with me until they realised I?m
nothing like my on-screen character! I'm nice in real life, honest!"

Amelia blames her mother for her move into "voice overs". "I learned a lot from watching
her working so I ended up doing my first paid voiceover gig when I was incredibly young
but making the switch between child voiceovers and teenage ones was a shock - suddenly
they didn't want a cute tot to charm the listeners, they wanted ALL these words read as
quickly as possible, and in many different styles, so I quickly became very good at
sight-reading and doing character voices."

Things began to really happen when Amelia turned 17 and ITV called, asking her to
audition to be CITV's new continuity announcer. "I thought they were joking! Live
continuity work can be incredibly demanding and I'd have to write my own scripts so I
never thought they'd want someone as young as me, but I went along anyway and was amazed when I got the job, becoming ITV's youngest ever announcer! I remember my producer showed me into recording booth on the first day, handed me a little black box with a red lever on it and said "pull that switch towards you and you can say whatever you want, push it away from you and the whole of the UK can hear you." I'd imagine most kids that age might
go to pieces in the same situation but I loved every minute of it."

When Amelia graduated from university she was signed by what she describes as "a really
amazing agency, the aptly-titled 'Excellent' in London", and from there her career
skyrocketed. "I've worked for some amazing companies like Disney, SyFy and the BBC, plus
I've voiced everything from cartoons to movies. Acting's great fun but voiceovers open
you up to a whole new way of working. You have to be able to adapt your voice, to shave a specific number of seconds off a read without the aid of a stopwatch, and to convey
everything an on-screen character could without ever being visible. Also, on screen I'm
unlikely to get cast as a fat, middle-aged northerner, a barmy granny or a giggling baby
but in voiceovers I can be anyone. The anonymity is wonderfully freeing."

Last summer 'Triple Hit', an indie sci-fi movie Amelia played six roles in, was screening
at Comic Con in San Diago, and Amelia was asked to go along and speak on the panel. "I
don't think I've ever been more excited, the whole thing just blew my mind! I also did a
few interviews while I was there, plus covered the event for the SyFy Channel (which I'd
been the female voice of since 2005) so I wrote a daily blog and got to interview some
amazing people, like Richard Hatch and Virginia Hey.

It's incredible who you randomly bump into at that place. I was chatting to a lovely guy
in a baseball cap for several minutes before he revealed himself to be Lenn Wein and did
a little video interview with me. The whole trip was just madness from start to finish.
As you can imagine, it was a huge deal for a geek like me, and I adored chatting to fans
of the genre about the movie and my other work (and spending far too much money on things like Lego and nerdy t-shirts). Sci-fi fans are brilliant beyond words - hands down some
of the friendliest, most well-informed and generally ace people I've ever met."

Amelia is keeping quiet about her upcoming movie roles. "I'm afraid. That's one of the
most frustrating things about working in this industry - all the NDAs! However, I can say
that I've got an incredibly busy 12 months ahead, I?m in at least one movie shooting at
Pinewood this year, and that 'SatNav Lifestyle' will be hitting the internet very, very
soon. I'm working on a whole bunch of other projects at the moment, both short films and
features, plus I'm currently writing my first solo feature film script, working on an
awesome secret project with the lads from Entanglement Productions, and it looks like
I'll be filming in the USA sometime next year so... exciting times! I update my blog (on
www.ameliatyler.com) whenever there's news to tell and I'm pretty active on twitter
(www.twitter.com/ameliatyler) so hit me up on there to find out all the latest goss."

But sucess has not changed Amelia.
"God no! Don't get me wrong, it's nice to have my work praised by others but that's such
a tiny part of the job. I love the actual process of making a movie - anything afterwards
is just an added bonus. Besides, I'm far too much of an idiot to let success go to my
head. I trip over. A LOT. There's nothing like a good solid faceplant to keep your feet
(and the rest of you) on solid ground!"

So, what advice does Amelia have to anyone starting off?
"Ooh, where to start? Ok, first off, immerse yourself in your craft. Watch movies, plays,
drama, comedy, horror... learn from everything and everyone and never assume you've got
it sussed. The second you think you've got nothing to learn you might as well pack up and
go home! Never believe your own hype. If you get a bad review, especially from someone
who really knows what they're talking about, then don't ignore it - learn from it and
resolve to be better next time. That person has just made you aware of how you could
improve your skills. Brilliant!"

"Always be on time, get a good night's sleep beforehand, and be sure to treat everyone on
set as you'd like to be treated yourself. When you're busy preparing for a scene it might
be easy to forget to give due credit and time to people like runners, lighting
technicians and makeup artists but they're usually working far harder than the actors and
have a huge amount of pressure on them. These are the people who make you look good and without them there'd be no production at all."

"Above all, don't forget to have fun and if you do make it big (or even just medium) try
not to take yourself too seriously or be blinded by the praise people are throwing at
you. You're just you, the same as you were before all this, no better or worse than
anyone else in the world. You just happen to have an exceptionally weird job! "